Original Oil Paintings by Karen Fox
I prefer serenity over conflict. Nearly any landscape, seascape, or animal inspires me, but I rarely paint anything man-made. What’s my initial focus, as I plan a painting? I look for lighting that transforms pretty into dramatic. I later blend realism and a dash of impressionism. I hope an observer feels emotionthat I’ve revealed the essence of a scene or creature.
I plan my composition carefully, but my painting energy is a mix of impulse and habit. First, I preempt distractions. Then I crank up my music. I begin with a value underpainting or wash of complementary colorsblocking in large shapes. Depending on mood, I frequently sing and dance during painting sessions that usually last three or four hours. I’m also hyperaware of my other senses, such as feeling paint spread like butteror the canvas yielding to my palette knife, then rebounding. So for me, painting is both self-indulgent and self-exploratory.
I need variety and rotation of subjects. I only use oils and usually develop one painting at a time, and I avoid repeating a painting. I never project or trace images, but I sometimes use a grid for complex compositions. Finally, during studio painting I only use my own photos, displayed on a large monitor, unless I’m producing a commissioned piece from a client’s photo.
A rookie mistake in 1997 helped me focus my style. At a painting workshop in Taos, New Mexico, the instructor suggested I use a palette knife. He meant for mixing paint, but I assumed he meant I should actually paint with the knife. Surprisingly, my accidental experiment worked, giving my paintings a distinctive look. For over a decade I used only knives, but I’ve since reincorporated brushwork
For most of my urban life, wildlife included squirrels, dogs and maybe racoons. Rural living gave me a cast of engaging new characters including deer, coyotes, bears, sea lions, pelicans, ospreys, and eagles.
I love it when my paintings find good homes; so far, they’re owned by collectors in Colorado, Arizona, Illinois, Wisconsin, New York, Oregon, Washington, and Russia.
As a child, my eventual art career was first nurtured by my parents’ avocational artistic expression, but as a young woman, I accepted a then-prevalent notion that a secretarial career would best support me. I worked in Chicago and, later, Denver as a secretary; however, I soon realized it didn’t inspire me like art always had. Without resources other than my ability to work, I abandoned safety and enrolled in the Colorado Institute of Art’s Advertising Design Program, graduating in 1980.
Eventually, in 1997 I took a plein air landscape class at the Art Students League of Denver that truly inspired my obsession with painting. Unique scenery I’ve painted resulted both from intentionally leaving Denver, in 2000, for Vashon Island, Washington, and a pandemic that landed me unexpectedly in Ocean Shores in 2021. Meanwhile, the pandemic also impacted my advertising career, too, by ending it prematurely. More time to paint.
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